To get a painting started I make 4 small ink marks on the image and the prepared paper in the centre of the edges and also a central cross. I often begin the paintings upside down and work from or closely to the central cross. As ever my intension is to work fluidly and expressively capturing a sense of the image rather than the image itself.
The Green Shed 2013
Three Girls in Leather Jackets 2013
Face on a bag on Rio Beach 2013
Old Man Stops Digging 2014
The Borgen Kiss 2014
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